Mon. Nov 25th, 2024

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Bernardo Bertolucci was one of the first directors I encountered as a teenager who demonstrated to me that art shouldn’t have barriers; that no subject was off limits. He took this too far in his artistic life, forever changing how I thought about him, but you can’t turn away from your own history. You have to embrace the works that showed you something important, even as the people who made them disappoint you. I’ll never forget too-early viewings of “The Last Emperor” and “The Dreamers.” After I saw “The Conformist,” I felt like I was given a window into a parallel dimension even though the world it was describing was ours once, a nightmare as beautiful as it was harrowing. “The Spider's Stratagem,” “La Luna,” “Before the Revolution,” “The Grim Reaper,” “Me and You”—to the very end, Bertolucci was fearless in his provocation and classical in his image creation. The world ran out of room for people like Bertolucci, which had to happen, but I still lament that I’ll never see another new work by the man. 

To watch more of Scout Tafoya’s video essays from his series The Unloved, click here

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By Dave Jenks

Dave Jenks is an American novelist and Veteran of the United States Marine Corps. Between those careers, he’s worked as a deckhand, commercial fisherman, divemaster, taxi driver, construction manager, and over the road truck driver, among many other things. He now lives on a sea island, in the South Carolina Lowcountry, with his wife and youngest daughter. They also have three grown children, five grand children, three dogs and a whole flock of parakeets. Stinnett grew up in Melbourne, Florida and has also lived in the Florida Keys, the Bahamas, and Cozumel, Mexico. His next dream is to one day visit and dive Cuba.