Quentin Tarantino & Roger Avary launch new cult VHS movies podcast
[ad_1] If you’ve got a love for the golden age of video stores and VHS movies, you might just want to look out for a new podcast from Quentin Tarantino…
[ad_1] If you’ve got a love for the golden age of video stores and VHS movies, you might just want to look out for a new podcast from Quentin Tarantino…
[ad_1] In 1962, Ekberg represented everything I desired in a woman. In later years, I began to think about Mastroianni, his hand forever outstretched to her, his lips forever prepared…
[ad_1] Now are you wiser? I’m treading water. And now could follow a very long paragraph introducing and describing the different characters played by the actors. But you would lose…
[ad_1] “MONSTER” review by Roger Ebert originally published on January 1st, 2004 What Charlize Theron achieves in Patty Jenkins’ “Monster” isn’t a performance but an embodiment. With courage, art and…
[ad_1] Sal is a tough, no-nonsense guy who basically wants to get along and tend to business. One of his sons is a vocal racist – in private, of course.…
[ad_1] “THE JOY LUCK CLUB” review by Roger Ebert originally published on September 17th, 1993 “The Joy Luck Club” comes rushing off the screen in a torrent of memories, as…
[ad_1] The capital city of Washington is portrayed here as roughshod gathering of politicians on the make. The images by Janusz Kaminski, Spielberg’s frequent cinematographer, use earth tones and muted…
[ad_1] The movie takes place in a French boys’ boarding school run by a headmaster who makes life there as unpleasant for the teachers as for the boys. Michael Delasalle…
[ad_1] “DAUGHTERS OF THE DUST” review by Roger Ebert originally published on March 13th, 1992 Julie Dash’s “Daughters of the Dust” is a tone poem of old memories, a family…
[ad_1] “LOVE JONES” review by Roger Ebert originally published on March 14th, 1997 “Love Jones” is a love story set in the world of Chicago’s middle-class black artists and professionals–which…
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