Thu. Apr 25th, 2024


The documentary follows Huntt, both subject and filmmaker, who is an Afro-Latina with Dominican and Venezuelan ancestry. Huntt is culturally and ethnically diverse, which makes her story relatable to a global audience. 

We watch Huntt actualize the lived experiences of her schizophrenic grandmother, her father that escaped ethnic cleansing and her sister who was neglected. She states their truth but does not pity their existence; she allows their humanity to shine through. Through exposure of truth and Huntt’s use of creative freedom, she opens doors for future Black and Brown creators to not fear telling their stories. Huntt feels like her parents sacrificed a great deal for she and her siblings to have to “grow up poor.” “This cannot be our legacy,” Huntt states as she takes on the responsibility of uncovering her past to move more intentionally in her future.

There are a few agonizing scenes of awful singing of “Cocaine Blues” and white liberal actors, acting so well, you feel like you are attending an Ivy Luncheon. They shed light on the cyclical conversations had with white people, which is another aspect of coming of age, as a Black or Brown person in America. At first, it almost seems like Huntt gives these ideas too much time, but I appreciated her dismissing of their beliefs.

The vulnerability expressed as Huntt faces her pain is a revelation to the audience. Once pain is faced, how much control does it have? Although Huntt was facing pain from family, friends and the societal standards of America, she did not fold. It’s moving and heroic to see her look at her pain and push through it. 

As an audience member, I felt the new age way of life take over my body: “Black women deserve ease.” Huntt is healing through a beautifully produced film, and she/we DESERVE THIS (space, time, and resource). Breaking generational cycles seems trendy, but it is hard work. Huntt’s grand direction makes the process seem possible. While this is a work to reveal the illusion of meta narratives, it’s also an outpouring of love and truth, and has documented a movement with a keen eye.

Rebeca, Bebeca, Bebe, Beba is a sight to witness and a portal to collective growth. 

Opens Friday, June 24th.

By Dave Jenks

Dave Jenks is an American novelist and Veteran of the United States Marine Corps. Between those careers, he’s worked as a deckhand, commercial fisherman, divemaster, taxi driver, construction manager, and over the road truck driver, among many other things. He now lives on a sea island, in the South Carolina Lowcountry, with his wife and youngest daughter. They also have three grown children, five grand children, three dogs and a whole flock of parakeets. Stinnett grew up in Melbourne, Florida and has also lived in the Florida Keys, the Bahamas, and Cozumel, Mexico. His next dream is to one day visit and dive Cuba.